I didn't think I'd bother seeing
Avatar, but the bf was antsy tonight so we went to the 11:00 PM show (IMAX 3D!) and just now got home.
If you're looking for a reasonably entertaining display of special effects, sure, go see it. I'd like to address some of the other aspects.
- Racist. Racist as all fuck. Let me retell the story in a way that will make you understand why it's racist:
A primitive non-white people with dreadlocks, tribal jewelry, and wide, flat noses have a pressing problem. A privileged white dude enters their society. (How is he privileged? Well, primarily, he can afford to take risks because risks won't cost him anything.) At some point during his three-month stay, he hears the story of the "grandfather's grandfather" who road the biggest, baddest flying dinosaur and united the "tribes" to end "the time of sorrow." Even though
all the primitive people know this story, and even though the skeleton of the biggest, baddest dinosaur is still on display, the white dude is the only one clever enough (and privileged enough) to re-purpose the story to fix the pressing problem. White dude saves the day!
This is not just Racist Sensitivity Fail; this is Sci-Fi Creativity Fail. One of the wonderful things about sci-fi is its ability to shed all modern conventions. Take Wash and Zoe in
Firefly; that they are a biracial couple is never commented on, never an issue, never a plot device, because within the 'Verse of
Firefly, "race" as we know it doesn't exist. It's been justified away by more important loyalties. This is totally unrealistic, and sci-fi is the only genre that can accept and justify something so unrealistic. Sci-fi
isn't here.
Even more extreme examples of this can be found in Star Trek (and even in Star Wars). Although Klingons have often been played by Black actors, I don't think there's any way Klingon culture could be mistaken as a commentary on either African or African-American culture. The Black-ness of the actors doesn't mean the Klingons are Black; they can't be Black because they are
Klingons. They are honorable and warlike and they eat their food when it is still alive. Their bunks resemble cookie sheets. Klingon culture intentionally bears no resemblance to human culture.
And Star Wars? The primitive forest people of Star Wars are tiny hooded teddy bears! You don't have to be racist, see? You can have teddy bears!
- Sexist. Not sexist as all fuck, you understand, but still sexist as most fuck. I've seen the story between the leading man and woman before: It was in Disney's
Pocahontas. The only difference is, in the kid's movie, Pocahontas didn't put out.
I read an interview with James Cameron in which he said that he knew his alien race in
Avatar wouldn't be placental mammals but that he wanted the women to have big tits anyway...so unscientific as well as sexist.
And yeah, just for funsies, let's be sure to make the alien race a patriarchal society with arranged marriages, and let's throw in a stereotype or two about women and spirituality and the Mother Goddess.
Sci-Fi Creativity Fail on this count, too. Kara Thrace would bitchslap James Cameron from here to Kobol.
- Not environmentalist. One of the supposedly big redeeming qualities of
Avatar was that it was going to be all pro-environment. The problem is, pro-environment doesn't come through when the
benefits of the environment are the topic explored by the movie's plot. Not the environment for its own sake; the benefits. Totally a consumerist model. Hell, everyone would be a deep ecologist if it meant their own flying dragon.
If you squint, you may be able to read some Gaia theory between the lines. It's not at all apparent in the text.
- Not antiwar. What schmuck thought this was an antiwar movie? This is all about the benefits of war! White guy arrives and says, "Fight back, fight back!" So they do and all is well.
- Unoriginal. Less important than the politics of the movie is the fact that this story is just another reinterpretation of the hero of a thousand faces. There is not a single plot twist in the movie that you can't see coming for at least 20 minutes beforehand.
- Overdone. James Cameron is so, so, so intent to make you realize that the evil human miners are evil evil evil that he doesn't attempt to cloak their thirst for blood at all. Instead of coming up with euphemisms that would demonstrate how insidious racism really is, he's got all the evil evil evil human characters making fun of trees and calling the good guys "savages." Senator Thurmond was more delicate than that. I'm not really one to complain when fiction fails to demonstrate the banality of evil, because I realize that the concept is often besides the point, but if James Cameron was hoping for anyone to take anything beneficial away from this movie, the banality of evil should have been the point. You don't see oil execs represented in the inhumane, money-grubbing miners; you see comically insensitive louts, with no nuance as to what they might represent in the real world.